My work as an artist is defined by a triumvirate of interwoven practices – musical and sonic composition, media arts documentation & storytelling, and making – habitats, objects and moments.

Through my work I explore and inspect my own conceptual and sensorial relationships to place, as well as that of collaborators and contributors. My creations are therefore necessarily perpetual works in progress, like the waterworld which inform them, and so they shift, amend and change states as they tumble through time, seasons, social contexts and inner evolutions.

I think most about how changing perspective can change outcomes, and how inhabiting the present necessarily involves rooting perspective in the past and nourishing outlook for the future through human-scale initiatives.

You know?